When we were shooting the episode of Miracle Detectives that deals with the story of 9/11, I came across this statement by Minoru Yamasaki, the architect of the World Trade Center:
'The World Trade Center should,' Yamasaki said, 'because of its importance, become a living representation of man's belief in humanity, his need for individual dignity, his belief in the cooperation of men, and through this cooperation his ability to find greatness.'
I’m not the first to point out how eerie it is that his vision has become reality as a result of unimaginable horror. My scientific career has been built on the study of autobiographical memory: how we remember our past and how our memories of our experiences shape our identity, our imagination, our decisions and ultimately, our future. But even if I had chosen a different topic, I suspect that I would still have been struck by the central place that remembering occupies in the landscape of the aftermath of the terror attacks.
We interviewed many people while we were preparing for and shooting the episode; survivors, first-responders, grieving family members, health-care practitioners treating victims and their families, writers and artists. Time and time again, I was struck by how important it was to the first responders and survivors in particular, to tell their stories. Even now, on Twitter, the vast majority of the conversation is dominated by reminiscences. Faced with random acts of violence, our notion that life is fair and just was turned on its head. As we try to make sense of what happened, we rearrange our worldview to accommodate this new information.
Faced with evidence that humans can cause such destruction, we swing the pendulum in the opposite direction: we become selfless, generous, kind and creative. In a city notorious for its ruthlessness, the citizens of New York, in particular, outdid one another with random acts of kindness and sacrifice. All over the city, the stories are being told, in pictures, in words and in acts. We are reshaping our memories and creating new ones with the same objective: to connect with those who were lost and with those who remain. Our experiencing selves panicked, despaired, fought but our remembering selves have the power to console, create and rebuild.
There are countless events today to choose from, but I chose to participate in Music After because my dear friend Danny Felsenfeld, a Brooklyn-based composer, along with his friend Eleonor Sandresky, are emphasizing the creative output triggered by 9/11. Losing so many different people in one day is a blow to the community. And yet, the legacy of 9/11 includes a refocusing on the importance and power of communities and connections between people. This concert, free to anyone who wants to come and listen, is one example. Meetup, a site that was created by New Yorkers in response to 9/11, and now has 9 million monthly visitors in 45,000 cities, is another. My heart goes out to all those who experienced loss first-hand a decade ago, and my performance today is my humble gift to this great city. May it never sleep.